February 26th 9:45 PM February 27th 7:30 PM Wendy Lane Bailey at The Metropolitan Room with Michele Brourman Music Director & Laurel Massé Special Guest $2034 West 22nd St.New York, NY 10010(212)206-0440http://www.blogger.com/www.metropolitanroom.com
March 1st 7:00 PM & 10:00 PM Wendy Lane BaileyatBlues Alley with Michele Brourman Music Director & Laurel Massé Special Gues t$251073 Wisconsin Ave. NWWashington, DC 20007(202)337-4141http://www.bluesalley.com/
Saturday March 20th11:00 AM - 3:00 PM Words & Music: A Master Class for Singers Taught By Laurel Masse' & Wendy Lane Bailey With Tex Arnold Edison Valley Playhouse$1652196 Oaktree RoadEdison, NJ 08820(646)831-0359parkroadmanagement@verizon.net
FOUR BROTHERS
Laurel with the transfer's in the recording studios
On August, 1977
LAUREL MASSÉ CONCERTS AND EVENTS
Laurel Massé - Metropolitan Room, NYC, NY - January 26, 2008 - Review
Could it be, yes it could, something’s coming... a statuesque redhead and founding member of Manhattan Transfer, Laurel Masse opened her set at the Metropolitan Room with Leonard Bernstein/Stephen Sondheim’s "Something’s Coming" and at that moment you were enveloped in the musical arms of a great singer. She is a brilliant jazz musician. http://www.cabaretscenes.org/
GHXPORT :: a digital download store for independent artists
We are pleased to announce the internet release of a new collection of 18 songs composed by Jon Burr, sung by vocalists Hilary Kole, Laurel Massé, Ty Stephens, and Tyler Burr, and featuring instrumentalists Houston Person, Bob Mintzer, Anat Cohen, Mario Cruz, Dominick Farinacci, Howard Alden, John Hart, Yotam Silberstein, Ted Rosenthal, Loston Harris, Jon Davis, Dave Gibson, and Anthony Pinciotti. http://myspace.com/jonburrband
Laurel Massé and Julie Gold
LAUREL MASSÉ, 2006 MAC AWARD NOMINEE - Photo by David Sokol.
Major Jazz Vocalist Judy Barnett Laurel Massé Adi Braun Allan Harris Hilary Kole
LAUREL MASSÉ
Photo: Bill Westmoreland
Laurel Massé, founding member of Grammy award-winning vocal group Manhattan Transfer, toured internationally for seven years with the group and recorded five albums. In 1979, a serious automobile accident forced her departure. After two years of convalescence, she began touring again both in the States and in Europe. She has released four solo CDs. The first two, Alone Together and Easy Living, both hit the Billboard Jazz charts; the third, Again, was a People magazine pick. Feather and Bone, her 2000 release, was picked by audiophile magazine The Absolute Sound as "a recording of extraordinary musical and sonic value". In 2002 she released Ballads.
THE 2004 MAC AWARDS
In 2004 she was recognized for her contribution to music when she, along with the four current members of the Manhattan Transfer, received the prized "MAC" (Manhattan Association of Cabarets and Clubs) Lifetime Achievement Award. She has been nominated Major Jazz Artist of 2006 by that same association.
Photos by Bob Strothmann
Laurel Massé,Rebecca Luker and Danny Burstein
Bistro Awards Ceremony
Laurel Massé
If someone asked me to desing the perfect jazz singer,l'd start whit a range of five octaves.l'd add impeccable control of pitch and breath,the nimble-tomgued ability to sing bebop,and a flair for improvised scat singing.l'd build in a poet's sense of phrasing,a critic's taste in tunes,and the soul of an actress.Or,l would just call Laurel Massé.
LAUREL'S VIDEOS
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Chicago Tribune
"One of the best vocalists in jazz.... Indeed, there is something almost otherworldly about Massé's emotional magic...as though like Fred Astaire she seemed merely to be down here on a visit." Larry Kart, Chicago Tribune
The Manhattan Transfer returned to the recording studio, and in 1976 released the Coming Out album (Atlantic SD-18183). Produced by Richard Perry (who previously managed and produced Janis Siegel's former group The Young Generation), Coming Out mixed more contemporary songs with the classic material that had been the Transfer's bread and butter, ranging from Todd Rundgren's pen ("It Wouldn't Have Made Any Difference") to Ringo Starr's drums and Dr. John's piano ("Zindy Lou").
COMING OUT/BRITISH BPI GOLD LP AWARD 1977
Coming Out sold millions of copies in Europe, where a single from the album, "Chanson D'Amour," hit #1 in France and in England, a chart-topper on both sides of the English Channel. On the strength of "Chanson D'Amour," the Manhattan Transfer toured Europe again, including a show at the MIDEM music business convention in Cannes. In a 1977 interview, Alan Paul remembered how that song was chosen and recorded. "The song was written in 1957. We'd been recording all day and we hadn't gotten that far. Just as we were about to leave, Laurel shouted, 'Hey wait a minute, I've got an idea.' She used an Edith Piaf sound in her voice and we recorded it in one take. She wanted to get a romantic French feel behind it."
FEATHER AND BONE
On Feather & Bone, Laurel Masse explores spirituals and Celtic folk songs, ragas and Bach, millennium-old French hymns and modern pop songs to create what the Absolute Sound called "a recording of extraordinary sonic and musical value." This mostly a cappella album - one track is a duet with Sweet Honey in The Rock's Ysaye M. Barnwell, others feature minimal accompaniment - features memorable performances, great sound quality and an autumnal vibe.
Laurel Massé "One of the few perfect voices of her generation"
THE MANHATTAN TRANSFER WITH LAUREL MASSÉ
THE CABARET CONFERENCE AT YALE UNIVERSITY~2006
Laurel Massé,Erv Raible,Sharon McNight,Sally Mayes and Patrick Brady.
Manhattan Transfer en los estudios durante las sesiones de grabación del álbum Pastiche
Esta noche...fiesta
EN TVE CANTANDO CUENTAME NUMERO UNO TODO EL VERANO DE 1977
THE CABARET CONFERENCE AT YALE UNIVERSITY~2005
Larry Lazzaro,Laurel Massé and Carol Hall with Vincent Wilfe
The Manhattan Transfer Show
"House of Blue Lights Cafe" .
The Manhattan Transfer premiered on August 10, 1975 as a 60-minute comedy-variety summer replacement series. "We had two writing teams for that show," said Janis. "Ours - and theirs. It was like Amtrak and Penn Central. Our writers were Joel Silver, Tim's sister and Bruce Vallance. That was Amtrak. And their writers kept going to this variety formula - the show needed comedy and sketch bits in it, and that included Doughie Duck."
The Manhattan Transfer Show/CBS TV
How High The Moon
Because of the lack of rehearsal time to learn new material, the Manhattan Transfer mined their catalog for over 30 different songs during the show's four-week run - they went through all their recorded material, the stuff that hadn't been recorded yet, enough music to record a new studio album every Sunday night. "We didn't want to get picked up for another season," said Tim, "because we knew that we couldn't do another season. These shows are put together in a week, and this is why television is what it is.
Doodlin'
Janis Siegel,Laurel Massé and Lauren Kinhan
Laurel y Janis creen en el grupo vocal femenino y trás deshacerse Moxie ellas apuestan junto a su nueva compañera Lauren en formar un grupo, aún sin nombre y empezar a cantar en el 2008!!!,pues falta poco .A ver si hay suerte.
The Manhattan Transfer
Snootie Little Cutie
THE LAUREL MASSÉ SHOW
Laurel Massé has also appeared numerous times on television and radio. Since 2002 she has been host and resident artist of The Laurel Massé Jazz Show, a monthly live concert performance program broadcast by WAMC Northeast Public Radio to a listening audience of 500,000.
Entrada
Tuesday 23 AUGUST 1977
PASTICHE
Pastiche (Atlantic 19163), lived up to its name - a mixture of various musical styles and genres. By this time, the Manhattan Transfer were experimenting with more open voicings and less block harmony, adding new depth to their vocal precision. Between Pastiche's list of Cole Porter and Duke Ellington songs, the Manhattan Transfer collaborated for the first time with JonHendricks, the vocal jazz legend and one-third of the Lambert, Hendricks and Ross vocal jazz group. The collaboration, "Four Brothers," was originally written by Jimmy Giuffre for Woody Herman's Second Herd. For this song, the Manhattan Transfer replicated - using only their voices and Jon Hendricks' lyrics - the melodies of Zoot Sims, Stan Getz, Herbie Steward and Serge Chaloff, Woody Herman's sax section.
Pastiche Nº10 in UK and nº 1 in Norway
Pastiche sold well in Europe, but could climb no higher than #66 on the American album charts. Tim, Alan, Janis and Laurel toured Europe, playing concerts in support of Pastiche, and listening to different music in anticipation of using some new ideas for a new album. "We had just come back from Europe," said Alan, "we were in Europe for a couple of months touring, and we were scheduled to open in the Roxy Theater in Los Angeles, and we had all these new ideas and things that we wanted to present to the public."
"We were in a very high stressful period," added Janis, "in the sense that we were rehearsing a new show intensely. We were working with Toni Basil on choreography, and it was a lot of new stuff. And we were going so fast, it was literally hitting a brick wall. There were a lot of intense rehearsals. Laurel,One night returning from a rehearsal had a bad car accident.
The Manhattan Transfer re-emerged as a four-piece, with Janis Siegel (alto), Laurel Massé (soprano), and Alan Paul (tenor), who found each other in a series of happy accidents. Tim Hauser was driving a cab at the time, and picked up passenger Laurel Masse; they got to talking. Tim met Janis Siegel through a drummer acquaintance. Janis had been performing at the Greenwich Village coffeehouse scene with a group called "Laurel Canyon." Alan Paul had been appearing in the musical "Grease!" (Laurel's boyfriend was a musician in the production, and referred him).